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White Rabbit Gallery

One of the world's most significant collections of Chinese contemporary art.

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Hannah McKellar
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An installation of a dancehall featuring neon lights and disco balls.

CHEN WEI 陈维, Drunken Dance Hall, 2015 - Exhibition: A Blueprint for Ruins - Photography: Hamish McIntosh

location

30 Balfour Street, Chippendale, NSW, 2008

opening hours

Wednesday to Sunday, 10am to 5pm (during exhibition periods)

An installation of a planet surface made with sand and lit with a red light.

YUAN SHUN 袁顺, Soft Landing, 2018 - Exhibition: A Blueprint for Ruins - Photography Hamish McIntosh

A white, resin figure of a man, arms outstretched and covered in pigeons, in a blue room.

ZHANG DALI 张大力, Square 9, 2014 - Exhibition: A Blueprint for Ruins - Photography: Hamish McIntosh

An installation of framed Chinese leaseholds, covering three walls and the floors surface.

MAO TONGQIANG 毛同强, Leaseholds, 2016 - Exhibition: Shuo Shu - Photography: Hamish McIntosh

A figure standing in an art gallery next to neon lit framed works and a tv-screen installation.

CHEN WEI 陈维, Where Are You Going (Sydney), 2023, CHEN WEI 陈维, In the Waves 3, 6 and Orange, 2013 - Exhibition: I Am the People - Photography: Hamish McIntosh

A tank made from leather sprawled across the gallery floor.

Level 1 - Exhibition: Laozi's Furnace - Photography: Jessica Maurer

A large installation of black, shadow like figures made from modelling clay.

LU PINGYUAN 陆平原, Shadow of the Shadow, 2021 - Exhibition: Laozi's Furnace - Photography: Jessica Maurer

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We acknowledge that we live and work on Aboriginal land and recognise the strength, resilience and capacity of First Nations Australians. We also acknowledge all of the traditional owners of the land in NSW, and pay respect to First Nations Elders, past and present.

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